theintension.com

Thursday, September 27, 2007

John Vanderslice has recently learned to enjoy America again. The singer-songwriter, who National Public Radio called “one of the most imaginative, prolific and consistently rewarding artists making music today,” found it through an unlikely source: his French girlfriend. “For the first time in my life I wouldn’t say I was defending the country but I was in this very strange position…”

Since breaking off from San Francisco local legends, mk Ultra, Vanderslice has produced six critically-acclaimed albums. His most recent, Emerald City, was released July 24th. Titled after the nickname given to the American-occupied Green Zone in Baghdad, it chronicles a world on the verge of imminent collapse under the weight of its own paranoia and loneliness. David Shankbone recently went to the Bowery Ballroom and spoke with Vanderslice about music, photography, touring and what makes a depressed liberal angry.

DS: How is the tour going?

JV: Great! I was just on the Wiki page for Inland Empire, and there is a great synopsis on the film. What’s on there is the best thing I have read about that film. The tour has been great. The thing with touring: say you are on vacation…let’s say you are doing an intense vacation. I went to Thailand alone, and there’s a part of you that just wants to go home. I don’t know what it is. I like to be home, but on tour there is a free floating anxiety that says: Go Home. Go Home.

DS: Anywhere, or just outside of the country?

JV: Anywhere. I want to be home in San Francisco, and I really do love being on tour, but there is almost like a homing beacon inside of me that is beeping and it creates a certain amount of anxiety.

DS: I can relate: You and I have moved around a lot, and we have a lot in common. Pranks, for one. David Bowie is another.

JV: Yeah, I saw that you like David Bowie on your MySpace.

DS: When I was in college I listened to him nonstop. Do you have a favorite album of his?

JV: I loved all the things from early to late seventies. Hunky Dory to Low to “Heroes” to Lodger. Low changed my life. The second I got was Hunky Dory, and the third was Diamond Dogs, which is a very underrated album. Then I got Ziggy Stardust and I was like, wow, this is important…this means something. There was tons of music I discovered in the seventh and eighth grade that I discovered, but I don’t love, respect and relate to it as much as I do Bowie. Especially Low…I was just on a panel with Steve Albini about how it has had a lot of impact.

DS: You said seventh and eighth grade. Were you always listening to people like Bowie or bands like the Velvets, or did you have an Eddie Murphy My Girl Wants to Party All the Time phase?

JV: The thing for me that was the uncool music, I had an older brother who was really into prog music, so it was like Gentle Giant and Yes and King Crimson and Genesis. All the new Genesis that was happening at the time was mind-blowing. Phil Collins‘s solo record…we had every single solo record, like the Mike Rutherford solo record.

DS: Do you shun that music now or is it still a part of you?

JV: Oh no, I appreciate all music. I’m an anti-snob. Last night when I was going to sleep I was watching Ocean’s Thirteen on my computer. It’s not like I always need to watch some super-fragmented, fucked-up art movie like Inland Empire. It’s part of how I relate to the audience. We end every night by going out into the audience and playing acoustically, directly, right in front of the audience, six inches away—that is part of my philosophy.

DS: Do you think New York or San Francisco suffers from artistic elitism more?

JV: I think because of the Internet that there is less and less elitism; everyone is into some little superstar on YouTube and everyone can now appreciate now Justin Timberlake. There is no need for factions. There is too much information, and I think the idea has broken down that some people…I mean, when was the last time you met someone who was into ska, or into punk, and they dressed the part? I don’t meet those people anymore.

DS: Everything is fusion now, like cuisine. It’s hard to find a purely French or purely Vietnamese restaurant.

JV: Exactly! When I was in high school there were factions. I remember the guys who listened to Black Flag. They looked the part! Like they were in theater.

DS: You still find some emos.

JV: Yes, I believe it. But even emo kids, compared to their older brethren, are so open-minded. I opened up for Sunny Day Real Estate and Pedro the Lion, and I did not find their fans to be the cliquish people that I feared, because I was never playing or marketed in the emo genre. I would say it’s because of the Internet.

DS: You could clearly create music that is more mainstream pop and be successful with it, but you choose a lot of very personal and political themes for your music. Are you ever tempted to put out a studio album geared toward the charts just to make some cash?

JV: I would say no. I’m definitely a capitalist, I was an econ major and I have no problem with making money, but I made a pact with myself very early on that I was only going to release music that was true to the voices and harmonic things I heard inside of me—that were honestly inside me—and I have never broken that pact. We just pulled two new songs from Emerald City because I didn’t feel they were exactly what I wanted to have on a record. Maybe I’m too stubborn or not capable of it, but I don’t think…part of the equation for me: this is a low stakes game, making indie music. Relative to the world, with the people I grew up with and where they are now and how much money they make. The money in indie music is a low stakes game from a financial perspective. So the one thing you can have as an indie artist is credibility, and when you burn your credibility, you are done, man. You can not recover from that. These years I have been true to myself, that’s all I have.

DS: Do you think Spoon burned their indie credibility for allowing their music to be used in commercials and by making more studio-oriented albums? They are one of my favorite bands, but they have come a long way from A Series of Sneaks and Girls Can Tell.

JV: They have, but no, I don’t think they’ve lost their credibility at all. I know those guys so well, and Brit and Jim are doing exactly the music they want to do. Brit owns his own studio, and they completely control their means of production, and they are very insulated by being on Merge, and I think their new album—and I bought Telephono when it came out—is as good as anything they have done.

DS: Do you think letting your music be used on commercials does not bring the credibility problem it once did? That used to be the line of demarcation–the whole Sting thing–that if you did commercials you sold out.

JV: Five years ago I would have said that it would have bothered me. It doesn’t bother me anymore. The thing is that bands have shrinking options for revenue streams, and sync deals and licensing, it’s like, man, you better be open to that idea. I remember when Spike Lee said, ‘Yeah, I did these Nike commercials, but it allowed me to do these other films that I wanted to make,’ and in some ways there is an article that Of Montreal and Spoon and other bands that have done sync deals have actually insulated themselves further from the difficulties of being a successful independent band, because they have had some income come in that have allowed them to stay put on labels where they are not being pushed around by anyone.

The ultimate problem—sort of like the only philosophical problem is suicide—the only philosophical problem is whether to be assigned to a major label because you are then going to have so much editorial input that it is probably going to really hurt what you are doing.

DS: Do you believe the only philosophical question is whether to commit suicide?

JV: Absolutely. I think the rest is internal chatter and if I logged and tried to counter the internal chatter I have inside my own brain there is no way I could match that.

DS: When you see artists like Pete Doherty or Amy Winehouse out on suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and their music?

JV: The thing for me is they are profound iconic figures for me, and I don’t even know their music. I don’t know Winehouse or Doherty’s music, I just know that they are acting a very crucial, mythic part in our culture, and they might be doing it unknowingly.

DS: Glorification of drugs? The rock lifestyle?

JV: More like an out-of-control Id, completely unregulated personal relationships to the world in general. It’s not just drugs, it’s everything. It’s arguing and scratching people’s faces and driving on the wrong side of the road. Those are just the infractions that land them in jail. I think it might be unknowing, but in some ways they are beautiful figures for going that far off the deep end.

DS: As tragic figures?

JV: Yeah, as totally tragic figures. I appreciate that. I take no pleasure in saying that, but I also believe they are important. The figures that go outside—let’s say GG Allin or Penderetsky in the world of classical music—people who are so far outside of the normal boundaries of behavior and communication, it in some way enlarges the size of your landscape, and it’s beautiful. I know it sounds weird to say that, but it is.

DS: They are examples, as well. I recently covered for Wikinews the Iranian President speaking at Columbia and a student named Matt Glick told me that he supported the Iranian President speaking so that he could protest him, that if we don’t give a platform and voice for people, how can we say that they are wrong? I think it’s almost the same thing; they are beautiful as examples of how living a certain way can destroy you, and to look at them and say, “Don’t be that.”

JV: Absolutely, and let me tell you where I’m coming from. I don’t do drugs, I drink maybe three or four times a year. I don’t have any problematic relationship to drugs because there has been a history around me, like probably any musician or creative person, of just blinding array of drug abuse and problems. For me, I am a little bit of a control freak and I don’t have those issues. I just shut those doors. But I also understand and I am very sympathetic to someone who does not shut that door, but goes into that room and stays.

DS: Is it a problem for you to work with people who are using drugs?

JV: I would never work with them. It is a very selfish decision to make and usually those people are total energy vampires and they will take everything they can get from you. Again, this is all in theory…I love that stuff in theory. If Amy Winehouse was my girlfriend, I would probably not be very happy.

DS: Your latest CD is Emerald City and that is an allusion to the compound that we created in Baghdad. How has the current political client affected you in terms of your music?

JV: In some ways, both Pixel Revolt and Emerald City were born out of a recharged and re-energized position of my being….I was so beaten down after the 2000 election and after 9/11 and then the invasion of Iraq, Afghanistan; I was so depleted as a person after all that stuff happened, that I had to write my way out of it. I really had to write political songs because for me it is a way of making sense and processing what is going on. The question I’m asked all the time is do I think is a responsibility of people to write politically and I always say, My God, no. if you’re Morrissey, then you write Morrissey stuff. If you are Dan Bejar and Destroyer, then you are Dan Bejar and you are a fucking genius. Write about whatever it is you want to write about. But to get out of that hole I had to write about that.

DS: There are two times I felt deeply connected to New York City, and that was 9/11 and the re-election of George Bush. The depression of the city was palpable during both. I was in law school during the Iraq War, and then when Hurricane Katrina hit, we watched our countrymen debate the logic of rebuilding one of our most culturally significant cities, as we were funding almost without question the destruction of another country to then rebuild it, which seems less and less likely. Do you find it is difficult to enjoy living in America when you see all of these sorts of things going on, and the sort of arguments we have amongst ourselves as a people?

JV: I would say yes, absolutely, but one thing changed that was very strange: I fell in love with a French girl and the genesis of Emerald City was going through this visa process to get her into the country, which was through the State Department. In the middle of process we had her visa reviewed and everything shifted over to Homeland Security. All of my complicated feelings about this country became even more dour and complicated, because here was Homeland Security mailing me letters and all involved in my love life, and they were grilling my girlfriend in Paris and they were grilling me, and we couldn’t travel because she had a pending visa. In some strange ways the thing that changed everything was that we finally got the visa accepted and she came here. Now she is a Parisian girl, and it goes without saying that she despises America, and she would never have considered moving to America. So she moves here and is asking me almost breathlessly, How can you allow this to happen—

DS: –you, John Vanderslice, how can you allow this—

JV: –Me! Yes! So for the first time in my life I wouldn’t say I was defending the country but I was in this very strange position of saying, Listen, not that many people vote and the churches run fucking everything here, man. It’s like if you take out the evangelical Christian you have basically a progressive western European country. That’s all there is to it. But these people don’t vote, poor people don’t vote, there’s a complicated equation of extreme corruption and voter fraud here, and I found myself trying to rattle of all the reasons to her why I am personally not responsible, and it put me in a very interesting position. And then Sarkozy got elected in France and I watched her go through the same horrific thing that we’ve gone through here, and Sarkozy is a nut, man. This guy is a nut.

DS: But he doesn’t compare to George Bush or Dick Cheney. He’s almost a liberal by American standards.

JV: No, because their President doesn’t have much power. It’s interesting because he is a WAPO right-wing and he was very close to Le Pen and he was a card-carrying straight-up Nazi. I view Sarkozy as somewhat of a far-right candidate, especially in the context of French politics. He is dismantling everything. It’s all changing. The school system, the remnants of the socialized medical care system. The thing is he doesn’t have the foreign policy power that Bush does. Bush and Cheney have unprecedented amounts of power, and black budgets…I mean, come on, we’re spending half a trillion dollars in Iraq, and that’s just the money accounted for.

DS: What’s the reaction to you and your music when you play off the coasts?

JV: I would say good…

DS: Have you ever been Dixiechicked?

JV: No! I want to be! I would love to be, because then that means I’m really part of some fiery debate, but I would say there’s a lot of depressed in every single town. You can say Salt Lake City, you can look at what we consider to be conservative cities, and when you play those towns, man, the kids that come out are more or less on the same page and politically active because they are fish out of water.

DS: Depression breeds apathy, and your music seems geared toward anger, trying to wake people from their apathy. Your music is not maudlin and sad, but seems to be an attempt to awaken a spirit, with a self-reflective bent.

JV: That’s the trick. I would say that honestly, when Katrina happened, I thought, “okay, this is a trick to make people so crazy and so angry that they can’t even think. If you were in a community and basically were in a more or less quasi-police state surveillance society with no accountability, where we are pouring untold billions into our infrastructure to protect outside threats against via terrorism, or whatever, and then a natural disaster happens and there is no response. There is an empty response. There is all these ships off the shore that were just out there, just waiting, and nobody came. Michael Brown. It is one of the most insane things I have ever seen in my life.

DS: Is there a feeling in San Francisco that if an earthquake struck, you all would be on your own?

JV: Yes, of course. Part of what happened in New Orleans is that it was a Catholic city, it was a city of sin, it was a black city. And San Francisco? Bush wouldn’t even visit California in the beginning because his numbers were so low. Before Schwarzenegger definitely. I’m totally afraid of the earthquake, and I think everyone is out there. America is in the worst of both worlds: a laissez-fare economy and then the Grover Norquist anti-tax, starve the government until it turns into nothing more than a Argentinian-style government where there are these super rich invisible elite who own everything and there’s no distribution of wealth and nothing that resembles the New Deal, twentieth century embracing of human rights and equality, war against poverty, all of these things. They are trying to kill all that stuff. So, in some ways, it is the worst of both worlds because they are pushing us towards that, and on the same side they have put in a Supreme Court that is so right wing and so fanatically opposed to upholding civil rights, whether it be for foreign fighters…I mean, we are going to see movement with abortion, Miranda rights and stuff that is going to come up on the Court. We’ve tortured so many people who have had no intelligence value that you have to start to look at torture as a symbolic and almost ritualized behavior; you have this…

DS: Organ failure. That’s our baseline…

JV: Yeah, and you have to wonder about how we were torturing people to do nothing more than to send the darkest signal to the world to say, Listen, we are so fucking weird that if you cross the line with us, we are going to be at war with your religion, with your government, and we are going to destroy you.

DS: I interviewed Congressman Tom Tancredo, who is running for President, and he feels we should use as a deterrent against Islam the bombing of the Muslim holy cities of Mecca and Medina.

JV: You would radicalize the very few people who have not been radicalized, yet, by our actions and beliefs. We know what we’ve done out there, and we are going to paying for this for a long time. When Hezbollah was bombing Israel in that border excursion last year, the Hezbollah fighters were writing the names of battles they fought with the Jews in the Seventh Century on their helmets. This shit is never forgotten.

DS: You read a lot of the stuff that is written about you on blogs and on the Internet. Do you ever respond?

JV: No, and I would say that I read stuff that tends to be . I’ve done interviews that have been solely about film and photography. For some reason hearing myself talk about music, and maybe because I have been talking about it for so long, it’s snoozeville. Most interviews I do are very regimented and they tend to follow a certain line. I understand. If I was them, it’s a 200 word piece and I may have never played that town, in Des Moines or something. But, in general, it’s like…my band mates ask why don’t I read the weeklies when I’m in town, and Google my name. It would be really like looking yourself in the mirror. When you look at yourself in the mirror you are just error-correcting. There must be some sort of hall of mirrors thing that happens when you are completely involved in the Internet conversation about your music, and in some ways I think that I’m very innocently making music, because I don’t make music in any way that has to do with the response to that music. I don’t believe that the response to the music has anything to do with it. This is something I got from John Cage and Marcel Duchamp, I think the perception of the artwork, in some ways, has nothing to do with the artwork, and I think that is a beautiful, glorious and flattering thing to say to the perceiver, the viewer of that artwork. I’ve spent a lot of time looking at Paul Klee‘s drawings, lithographs, watercolors and paintings and when I read his diaries I’m not sure how much of a correlation there is between what his color schemes are denoting and what he is saying and what I am getting out of it. I’m not sure that it matters. Inland Empire is a great example. Lynch basically says, I don’t want to talk about it because I’m going to close doors for the viewer. It’s up to you. It’s not that it’s a riddle or a puzzle. You know how much of your own experience you are putting into the digestion of your own art. That’s not to say that that guy arranges notes in an interesting way, and sings in an interesting way and arranges words in an interesting way, but often, if someone says they really like my music, what I want to say is, That’s cool you focused your attention on that thing, but it does not make me go home and say, Wow, you’re great. My ego is not involved in it.

DS: Often people assume an artist makes an achievement, say wins a Tony or a Grammy or even a Cable Ace Award and people think the artist must feel this lasting sense of accomplishment, but it doesn’t typically happen that way, does it? Often there is some time of elation and satisfaction, but almost immediately the artist is being asked, “Okay, what’s the next thing? What’s next?” and there is an internal pressure to move beyond that achievement and not focus on it.

JV: Oh yeah, exactly. There’s a moment of relief when a mastered record gets back, and then I swear to you that ten minutes after that point I feel there are bigger fish to fry. I grew up listening to classical music, and there is something inside of me that says, Okay, I’ve made six records. Whoop-dee-doo. I grew up listening to Gustav Mahler, and I will never, ever approach what he did.

DS: Do you try?

JV: I love Mahler, but no, his music is too expansive and intellectual, and it’s realized harmonically and compositionally in a way that is five languages beyond me. And that’s okay. I’m very happy to do what I do. How can anyone be so jazzed about making a record when you are up against, shit, five thousand records a week—

DS: —but a lot of it’s crap—

JV: —a lot of it’s crap, but a lot of it is really, really good and doesn’t get the attention it deserves. A lot of it is very good. I’m shocked at some of the stuff I hear. I listen to a lot of music and I am mailed a lot of CDs, and I’m on the web all the time.

DS: I’ve done a lot of photography for Wikipedia and the genesis of it was an attempt to pin down reality, to try to understand a world that I felt had fallen out of my grasp of understanding, because I felt I had no sense of what this world was about anymore. For that, my work is very encyclopedic, and it fit well with Wikipedia. What was the reason you began investing time and effort into photography?

JV: It came from trying to making sense of touring. Touring is incredibly fast and there is so much compressed imagery that comes to you, whether it is the window in the van, or like now, when we are whisking through the Northeast in seven days. Let me tell you, I see a lot of really close people in those seven days. We move a lot, and there is a lot of input coming in. The shows are tremendous and, it is emotionally so overwhelming that you can not log it. You can not keep a file of it. It’s almost like if I take photos while I am doing this, it slows it down or stops it momentarily and orders it. It has made touring less of a blur; concretizes these times. I go back and develop the film, and when I look at the tour I remember things in a very different way. It coalesces. Let’s say I take on fucking photo in Athens, Georgia. That’s really intense. And I tend to take a photo of someone I like, or photos of people I really admire and like.

DS: What bands are working with your studio, Tiny Telephone?

JV: Death Cab for Cutie is going to come back and track their next record there. Right now there is a band called Hello Central that is in there, and they are really good. They’re from L.A. Maids of State was just in there and w:Deerhoof was just in there. Book of Knotts is coming in soon. That will be cool because I think they are going to have Beck sing on a tune. That will be really cool. There’s this band called Jordan from Paris that is starting this week.

DS: Do they approach you, or do you approach them?

JV I would say they approach me. It’s generally word of mouth. We never advertise and it’s very cheap, below market. It’s analog. There’s this self-fulfilling thing that when you’re booked, you stay booked. More bands come in, and they know about it and they keep the business going that way. But it’s totally word of mouth.

Friday, November 12, 2010

A judge hearing a retrial before the Belfast Crown Court has cleared a man of an attempted bombing eleven years after he was first arrested. Convicted of possessing the bomb with intent to cause an explosion and endanger life in 2006, Gary Jones was granted a retrial on appeal.

On July 21, 1998 a Ford Transit van was used to launch a homemade mortar bomb at Newry police station in Belfast, Northern Ireland. The gas cylinder used, with 79kg of explosives inside, travelled only a few feet and did not explode. The van crashed into a parked car during the attack and was abandoned; the driver escaped despite being tackled by a witness, leaving behind his jumper.

The jumper, bomb, van, a denim jacket, and a hard hat were all examined forensically but only one piece of evidence was ever found — a spot of blood on the jumper. It matched Jones and he was arrested in March 1999.

Forensic scientist Margaret Boyce testified that there were four possible sources for this blood: Jones coming into direct contact with it, the blood being transmitted in the air, the jumper touching something bloodstained, and ‘secondary’ contact. She concluded the last of these was less likely but the other three all had an equal chance of being the source.

Jones, giving evidence, denied remembering anything about the date of the offence or knowledge of the incident prior to his arrest. He said in addition to his painting and decorating business he had part-time employment at a children’s home which included dealing with bags of used clothes.

Mr Justice McCloskey said this “evidence does not point in a single direction. I further conclude that this evidence does not exclude reasonably tenable possibilities — namely purely innocuous contact in the course of employment or daily living — consistent with the defendant’s innocence. The prosecution have failed to establish the defendant’s guilt beyond reasonable doubt — accordingly, the verdict must be one of not guilty.”

Jones had been sentenced to fourteen years imprisonment.

[edit]

Sunday, February 3, 2013

A number of suicides as a result of self-inflicted gunshot wounds took place around the United States this week with reports of deaths in Arizona, California, Indiana, Maryland, New Jersey, New York, Nevada, Ohio, South Carolina and Washington.

Last Saturday in Mt. Pleasant, South Carolina, Assistant U.S. Attorney Alston Badger died from a self-inflicted gunshot wound. He was 51 years old.

On Monday in Clark County, Nevada, Jody Sherman, the Ecomom founder and CEO, died from a self-inflicted gunshot wound.

Another suicide occurred Monday in New Jersey. Chester and Rosaria Andraka died after Chester allegedly shot Rosaria before killing himself. Chester was a former police officer and there were few signs of trouble in the relationship prior to their deaths.

Another murder-suicide shooting took place on Monday. This one occurred in Elmont, New York, where 58-year-old Audley Dennis is believed to have shot his 46-year-old wife, Karen Rodgers-Dennis, before he shot himself. The couple allegedly had a history of fighting, with a family friend telling the New York Post, “They had their altercations. They would argue and yell, have outbursts.”

In Greensburg, Indiana on Tuesday, local police Lieutenant Larry G. Dance committed suicide, dying from a self-inflicted gunshot. He had joined the police force on January 1, 1995. He left behind by a wife and two daughters.

On Tuesday in Waldorf, Maryland, local police reported an attempted murder-suicide with sixty-four year old Linda Lindsey believed to have shot her husband before fatally shooting herself. Her husband was reported to have survived and be in critical condition.

Devin Peterson, a twenty-two year old, allegedly committed suicide with a state trooper’s shotgun following his alleged theft of a police cruiser, another car and a police chase on Interstate 80 in Nevada on Wednesday.

A seventy-year-old man from Renton, Washington died from a self-inflicted gun shot wound on Wednesday shortly after he called 911 to tell the dispatcher he was planning to take his own life.

On Wednesday, three people died in a murder-suicide in Oxnard, California that involved at least one gun. The deceased included two women and the suspected male shooter.

On Thursday, Lee Vining Fire Chief Tom Strazdims reported an Oregon man likely commited suicide by shooting himself in the parking lot of the town’s visitor center.

Also on Thursday, the body of a suspected gunman accused of killing a call center CEO and injuring a lawyer was found dead of a suspected self-inflicted gunshot wound in Mesa, Arizona. Police had been searching for the man since Wednesday following the shooting at a mediation session over a lawsuit.

In another reported suicide on Thursday, this one in the Baltimore area, a man was found dead in the parking lot of the Timonium gun range of a self-inflicted gun shot wound.

In Radcliff, Kentucky on Thursday, alleged burglar Michael Strand exchanged gunfire with police after they attempted to bring him in for questioning. Following a lull of approximately an hour, police entered the apartment and found the man dead from an alleged self-inflicted gunshot wound.

In Medina, Ohio on Thursday, United States Marine Andrew Baumgartner, who served in Afghanistan and had been discharged several months ago, got into an altercation with Sgt. Scott Schmoll after Schmoll felt a gun on Baumgartner’s person. Following this, Baumgartner hid in nearby woodlands, emerged to knock on the door of a local home to tell the resident he had been hit by a car, only to disappear into the woods again. He subsequently died of a self-inflicted gunshot wound. Police discovered his body alongside items they believed he had stolen.

The problem of suicide by self-inflicted gunshot wound is recognized by some gun groups. The Royal Oak shooting range in Michigan stopped renting guns this week following after twelve people having attempted to kill themselves with guns rented from the range since 2001 (five of them were successful). Three of the incidents occurred in the past four months, with two of them fatal.

These suicides take place against a backdrop of gun control discussion in the United States Congress, where former Arizona Rep. Gabrielle Giffords and an NRA spokesperson appeared before the body this week to discuss the possible need for stricter gun control laws.

According to the Maine Center of Disease Control and Prevention, guns are used in 85% of male suicides in the state. Debate has continued this week in the state about gun control as it relates to suicide. Iran’s PressTV published an opinion piece claiming that for every gun owner who uses their weapon in their home for self-defense, there are eleven suicide attempts involving a weapon. In the United States, veterans are more likely to use guns in acts of suicide than acts of homicide. The number of daily suicides by veterans is currently 22.

Guns are often used in suicide attempts, with PolitiFact reporting on Wednesday that there were 4,643 non-fatal gun involved suicide attempts in 2010. This number contradicts testimony by Wayne LaPierre of NRA to the United States Congress regarding unintentional deaths cause by firearms as LaPierre cited 600 deaths. Australia instituted tougher gun control regulations in 1996, including gun buy back programs. According to a study by Andrew Leigh of Australian National University and Christine Neill of Wilfrid Laurier University, these programs correlate to an 80% drop in suicides involving guns at a time when other methods of suicide remained consistent.

Similar research done in the United States has similar results. A 1991 study published in the New England Journal of Medicine found stricter gun control in the District of Columbia was a likely cause of a reduction in the number of suicides by gun shot in D.C. compared to surrounding areas.

Sunday, August 5, 2012

The following is the ninth in a monthly series chronicling the U.S. 2012 presidential election. It features original material compiled throughout the previous month after a brief mention of some of the month’s biggest stories.

In this month’s edition on the campaign trail: the rules of third party candidate polling are examined, a third party activist causes four other parties to lose their place on the Illinois presidential ballot, and the new vice presidential nominee of the Justice Party speaks with Wikinews.

Thursday, September 13, 2007

Having worked as an aide, advisor, and Executive Assistant to municipal and provincial politicians, Sheila White is running for the Ontario New Democratic Party in the Ontario provincial election, in the Scarborough-Rouge River riding. Wikinews’ Nick Moreau interviewed her regarding her values, her experience, and her campaign.

Stay tuned for further interviews; every candidate from every party is eligible, and will be contacted. Expect interviews from Liberals, Progressive Conservatives, New Democratic Party members, Ontario Greens, as well as members from the Family Coalition, Freedom, Communist, Libertarian, and Confederation of Regions parties, as well as independents.

Tuesday, July 17, 2007

File:New Zealand money.jpg

The New Zealand dollar (NZD) value rose and, for a short amount of time, was worth US$0.7932, the highest level in New Zealand since the dollar was floated in 1985 — 22 years ago.

The value then dropped a little and as of 11.40 a.m. was trading at US$0.7925. This was due to the Reserve Bank of New Zealand announcing that it will intervene next week at their Official Cash Rate review if the dollar continued to rise.

Economists are predicting that the NZD will now go above US$0.80.

The cause of this rise was mainly due to the release of the June quarter retail sales data. The consumer price index data showed that sales increased by 1.2%, instead of the predicted 0.4%. The bigger than expected sales data were mainly due to supermarket, car and petrol purchases. In May, the core sales figures showed a 0.8% rise, these figures excluded car and fuel sales.

Economist correspondents for Radio New Zealand have also said that a weak US dollar is also to blame for the rising New Zealand dollar. Danika Hampton, currency analyst for the Bank of New Zealand, says the NZD is looking expensive and doubts if it will maintain its current high figure.

Michael Cullen, the finance minister of New Zealand, has said that investors will be hurt when the New Zealand dollar does fall. Dr Cullen personally believes that the NZD is currently overvalued.

The Wellington Chamber of Commerce has called for the New Zealand Government to slow down it’s spending. Charles Finny, from the Chamber of Commerce, says this is one of the core factors, more than the oil and housing markets, despite speculation. Worldwide oil prices are at a current 11-month high.

The retails sales figures also resulted in Government bonds being weakened. The two-year and ten-year Government bonds are at 7.61% and 6.82% respectively.

The Official Cash Rate is currently at 8%, due to other interventions by the Reserve Bank.

The NZD is also trading well against the Australian dollar and Japanese yen.

Wednesday, June 20, 2007

The Canada Border Services Agency (CBSA) and the Royal Canadian Mounted Police (RCMP) announced Tuesday that they had seized approximately 160 kilograms of cocaine discovered in buckets of frozen mango puree imported from Mexico.

Investigations led the police to a shipping container destined for the Port of Montréal, in the Canadian province of Québec. A CBSA officer at the Container Examination Centre in Montréal identified the suspect container. The drug was found in brick-shaped plastic wrapping of about 4 kilograms in weight each. There were 1,200 buckets of frozen mango puree in the shipment, not all with cocaine inside.

RCMP Sgt. André Potvin told reporters that the value of the shipment was significant and was the largest maritime port drug haul in the force’s history. At CA$20 per half-gram, “that’s in the vicinity of $38 million,” said Potvin.

The investigation by the RCMP Drug Section, CBSA Intelligence officers, the Marine Security Enforcement Team and the Port of Montréal Security Group, determined that an import company, named Quality Mexport, was allegedly a front for the drug-smuggling operation.

Five Mexicans, holding visitor status in Canada, were arrested in the matter. They are:

• Juan Manuel Huerta Canela, 31;
• Jose Gerardo Bernal Vasquez, 52;
• Jose Luis Navarro Ochoa, 33;
• Jesus Manuel Villa Quiroz, 32; and
• Alfonso Strag Estrada, age 50.

The suspects have been charged with importing and possession of drugs for the purpose of trafficking. The charges are allegations at this point in time.

Saturday, May 6, 2006

Early Saturday morning winds up to 90 miles per hour struck Waco, Texas and central McLennan County, United States, causing widespread damage and leaving many households without electricity.

No deaths or serious injuries have been reported; however, there is a tremendous amount of damage in 15 areas of the city, leading Mayor Virgina DuPuy to declare the city a disaster area.

The hardest hit area was Franklin Avenue, where the Coca-Cola bottling plant’s roof was peeled open as if by a giant can-opener. There were Sprite bottles spread out onto the street. The nearby Furniture Row shopping center was also hit hard. Some furniture was found as far as three-quarters of a mile away. Other hard-hit areas were Robinson, Hewitt, Woodway, and Speegleville. Densely populated Inner Waco was spared of any catastrophic damage, though hundreds, and possibly thousands, of trees have fallen, and roofs destroyed.

The main concern is restoring power to over 23,000 households and businesses. Many gas stations and grocery stores in the disaster areas were closed until power is restored. Those that remained open have had to throw out all perishable items. Also of concern is getting electricity to those with medical needs. The city has provided help to those without power at the Dewey Recreation Center.

The storm is the hardest to hit the area since the tornado that struck on May 11, 1953, which tore through downtown and killed 114 people.

Waco has seen more than its share of tornadoes recently. Only a week ago, an F1 tornado damaged many houses along Orchid and Kendall Lanes. No people were injured, though two horses were killed when their stable collapsed.

The National Weather Service confirmed this morning’s winds were a F2 tornado, where wind speeds may have reached 115 miles per hour in some locations.